I found this, long, unreleased Bob Dylan song that came out the other day surprisingly affecting.
My girlfriend, a children’s librarian, is working from home as many are. With so many folks at home with their kids, I asked her to share her expertise and curate some particularly good links for kids stuck at home.
Here’s her list, pulled from a treasure trove of links that folks in her profession have been passing around.
Many children’s authors and illustrators are offering read-alouds and drawing lessons online. Deschutes Public Library put together this great list.
Tumble Book Library is a collection of animated talking picture books, read-alongs, ebooks, quizzes, lesson plans, and educational games. This one needs a library card. Don’t have a library card? You can often get one online. Portlanders can even get a Washington County card and have twice the options.
Free lessons and homeschooling support online for kids ages 4-8.
Fun, live cooking classes for kids
Michigan State University puts on family yoga, all ages and abilities welcome. No yoga experience or reservation required.
If people like these links she’s happy to share more. Just leave a comment.
Hank Green, talking about his illness on Vlogbrothers for the first time, instilled the first feelings of understanding and stability I’ve had recently.
Incredible Doom: Eternal September #1, the first issue in Season 2, is up for all patrons today, months before its public release. To those of you who are able, thank you so much for supporting independent art. Together we’ll get through this worrying time.
In the meantime, have a new comic to read.
Thinking about early 90s computing over the last couple years my comic drawing Incredible Doom has given me a fondness for software that seems restricting, yet is oddly focusing. Software like that these days seems like plain vanilla ice cream. Simple and really good.
Which is why Note Pad on the original Mac OS sounds so nice. It was about as simple as can be.
You launch it. It gave you a blank window to type on. You could store up to 8 notes, which you would flip through one at a time by clicking the dog-eared corner on the lower right.
There was no search. No folders. No settings. No formatting, spell check, or grammar judgements. Just eight screens of plain text.
These days I’ve got notes in so many places. Hundreds of them. Over 600 in Apple Notes alone, never mind Notion, Byword, Drafts, Slugline, Day One, etc. I love these apps. But it’s all too common that, once I type a note, in one of those there’s a 80% chance I’ll never see it again.
It falls into a void, and I forget it’s there.
It sounds absurd, but I swear there’s something nice about an app that fills up. One that asks you to consider notes one through eight before adding another. Delete them, act on them, but at least consider them. An app that can’t balloon into a mess that you then have to manage.
That sounds lovely to me.
If you’d like to play with Note Pad, it’s emulated in a web browser by Jason Friend. Click on the Apple menu and drag down to Note Pad.
Several months ago, novelist, comedian, poet, storyteller, and president of Write Bloody Publishing, Derrick Brown wrote me with a plan. A friend of his was redesigning a huge building in a small town and wanted to turn it into a collection of shops designed by different creators. He wanted Derrick to dream big and design a bookstore.
Derrick told me his plan for Fascination Station. It was to be a train station, with a checkout counter modeled after Grand Central stations information kiosk. It would have cubby holes for reading, set into in the back wall designed like bunks on a train car. Large displays would be inset in arches showing landscapes rolling by. Travel posters advertising departure times for famous fictional destinations would hang on one wall, and shelves would roll away, so folding chairs could pull out from a secret compartment and an audience could watch authors read from the back of a full size caboose, as if they were on a whistle-stop tour.
It sounded wonderful, and Derrick wanted me to draw it.
While I make detailed 3D models for my comics, I’d never designed something like this. Something that was to become an actual physical place. Something that needed to fit in exact dimensions and be usable by flesh and blood people. It was a heck of a lot of fun, and the illustration came together in no time.
Sadly, things fell through. The Fascination Station only exists in these drawings.
But gosh does it make me want to go to a bookstore. So I think I will.
If a you’re a Patreon member at $10 or more you can now read all 70+ pages of members only Incredible Doom comics on one page. Being able to explore these stories that didn’t fit into the regular series has been a joy. Thank you for making them possible.
For example, last October my Incredible Doom collaborator Jesse Holden and I were guests on the “Talking to Ghosts” podcast and I never linked it. We talked with hosts Michael Kurt and Wesley Mueller about how we work together to break these stories, the logistics of making print issues, and, of course, the early internet.
Doing podcasts is fun. I hope to do more.
After my last comic ended, I made a list of everything I’d always wanted to do in comics but hadn’t. Inspired by Oregon History Comics by Sarah Mirk and Monster Box by Tien Pham & Lark Pien, making a series of pocket-sized books in a cardboard slipcase was at the top of the list.
Now, years later, it’s done. Incredible Doom, my and Jesse Holdens comic about teens in the 90s making bad decisions over the early internet, was designed from the start with a slipcase in mind. It’s finally here, and it’s a beauty.
The case holds Season 1 (issues 1-6), each feelie, and the rarities issue, Incredible Doom #0.
It also has several hidden features. The hole in the front frames the cover illustrations for each issue perfectly, so you can choose what cover you like best, but we’ve also included an insert with six new illustrations to choose from. Jesse designed a special wedge shape inside the case that keeps whichever image you choose pressed against the window.
Like each of the comics that inspired it, you can tell this is hand assembled, not by someone in a factory, but someone who cares about the project. That’s part of the reason these slipcases ship flat, to be folded at home.
It’s fun. This video shows how it’s done.
I think these boxes are amazing, the completion of a decade long dream. I hope it helps Incredible Doom find a place on your shelf for years to come.
If you’d like one, head over to Patreon and become a member. You also get discounts on buying the previous issues to complete your set. None of which would have been possible without the support of my patrons. Thank you so much for your support.
Now for the nitty-gritty details…Continue reading “About the Incredible Doom Slipcase“
I’m not much of a blogger but I’ve always wanted to be.
The value of keeping a blog for reasons beyond just sharing links to my work has been obvious to me for a while now. Watching folks like Austin Kleon, Andy Baio, John Gruber, Mark Evanier and others post week in and week out, I’ve yearned to organize my thoughts online, create an archive of interesting things, and to figure out ways to be of use to others.
Andy Baio wrote about his experience with blogging years ago:
It’s given me exposure, a place to share my projects and crazy experimentation with technology. It’s created new opportunities for me, directly or indirectly responsible for every major project I’ve gotten involved in. It’s a place to play and experiment with ideas, some of which led to big breakthroughs and passions. And it connected me to people who cared about the things I did, many of whom became lifelong friends.
via Waxy turns 10
Besides the fun of getting to build my corner of the Internet, stone by stone, the world that lives outside the big social networks is an exciting place to be right now.
Like the web comics boom of the early 2000s, the current independent internet is a vast beautiful mess. Things like Mastodon, tilde.club, Micro.blog, runyourown.social and the Indie Web make me want to be online to see how all this shakes out. The big social giants make me want to curl up and hide.
So, I moved this site from Squarespace to WordPress, filled in the archives a bit, and I plan to post more.
All to clear up my meager plot of land, so I can better watch the fireworks.
This should be fun.